|
|
our artists nufnuf-art news
|
|||
|
fabrice de nola place into the heart of his artistic and painting reflections a human body in deep relation with the urban life. with the mechanisms induced from the right mind and the numeric stimuli about them, a body that modifies itself and moves across the transformations caused by the new received impulses of the world that encircles our existence as it interlace our relations and solicitations. with the iconic power of his numeric painted constructions , he succeeds therefore to complete a reflection on the total destinations of a world that often assumes the sense of a mysterious premonition and clearness. the figures of fabrice de nola rise therefore to the centre of the buildings and to the many relations between the contemporary metropolis. their bodies are swallowed from a web that transforms and put it then in the data file of the computerized data processing science of a binary code. their gaze are decreased in the depths of the sea that hides the mysterious skyscrapers of a smashed world by a catastrophe or saved by the dreamlike power of an apparently absurd image. the work of the artist assumes an ulterior value thanks his obvious and clamorous "contemporary" connotation, founded on a rigorous plan elaborated with the computer, plans that fabrice de nola has decided to produce like a numeric photography in parallel with his painting realisations. and that is just his choice, fabrice de nola can make better understand the deep conceptual component of his work. like as an Italian painter of the 15th century could do it, he privileges however "the mental" moment, resourceful and planning for the future, that moment in which, for many old great painters, lies in the essence of their dignified artistic work. the artist, however, does not seem to slowly put in second the executive element. the painted setting up of his pictures, indeed, are undoubtedly and deeply bound to a master line of the history of the art, like demonstrates also the choice of the exhibited photographic plans. his work is used by the author with the same knowledge that could realize the line of optical research that goes from a well-known nederland’s painting, until vermeer and bernardo bellotto, for finally fall in the work of david hockney or the hyperrealism. from this harmonic fusion of discordant elements, the depth of the european cultural is the origin of the artist (fabrice de nola is Italian, his father flemish ). His flowing meditation on the infinites turns to a contemporary many-sided and metamorphic expression, his reflection about the enormous and fluctuating mass of pictures that catch up our eyes, the infinite currents of an unlimited sea, dominated and imprisoned by the aesthetic and strictly planned rigor of the artist. lorenzo canova |
||||
|
last modification: 01 janvier 2012 webmaster@nufnuf-art.ch copyright © 2002-2012 art www.nufnuf-art.ch |
||||
